韓国語
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日本語
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| 学習言語 : |
英語
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Hello! I live in Yokohama and I'm learning English now. Actually I will visit to Seattle in this summer! I can help your Japanese skils improving and I need to helo my English skils growing....
I like eating food and watching Anime especially Ranma1/2. I want to enjoy talking everything!
Thank you!
| 母国語 : |
日本語
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| 学習言語 : |
英語
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2026年3月6日から始めました。
英語が話せるようになって、日本の魅力を世界に届けたいです。
英語は小学生レベルです。
それでも仲良く勉強出来る方を募集してます。
I started on March 6, 2026.
I want to improve my English and share the charm of Japan with the world.
My English is at an elementary school level.
Even so, I’m looking for people who would like to study together in a friendly way.
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日本語
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フランス語Looking for a friendly local to explore with and improve our language. I really like communicating with people who live in different countries. contact me any time!! We hope long term relationships!
🇰🇷 🇫🇷
J’apprends le français ! Je vais aller en France dans un an.
한국어 공부를 하고 있어서 이렇게 대화할 수 있으면 좋겠어요!
저는 가끔 한국에 가는데, 기회가 되면 직접 만날 수 있으면 더 좋을 것 같아요 😊
中国語 (北京語)
| 母国語 : |
日本語
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| 学習言語 : |
英語
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My name is YOSHIHIRO KINOSHITA. I run LIVED NO GARD corp. on my own, working on brand creation, building narrative worlds, and slowly shaping the structures that support society. I’m not the type to make loud statements; moving quietly and steadily feels more natural to me. At some point, that simply became my way of working.
My path hasn’t been straightforward. I’ve worked in nightlife, logistics, call centers—many different environments. The people I met and the atmosphere of those places formed the foundation of who I am today. My belief that “people can start over from anywhere” didn’t come from theory; it came from what I’ve actually seen.
MAJEC JAPANESE / WORLD OCUSTRACT grew out of those experiences. It’s a kind of framework—a base for thinking—that helps individuals and organizations regain their own axis. From there, brands like SUMSTANG and TOMY‑AYU emerged, each carrying its own small story and symbolic meaning. They’re less like products and more like fragments of a larger world.
Right now, I’m living in Okinawa and preparing for the next stage. This period is important to me. It’s a place where I can quietly reflect on how people rebuild themselves and what is truly necessary. I see it as a time to move forward without rushing, but without stopping either.
In the long term, I’m working on projects like MINAI, which supports younger generations, as well as larger narrative structures such as the Asia Transcontinental Railway and Moneyless World. They may sound grand, but to me they’re simply honest wishes—“I hope the world could be like this”—that I’m trying to give shape to.
I don’t do anything flashy. But I believe that by quietly building things up, I can create small changes somewhere in the world. LIVED NO GARD corp. is the vessel for that work. I plan to keep moving at my own pace, adding what’s necessary with care, and continuing to update the world from the inside out.
スペイン語